Mind·Full·Ness® asks what becomes visible when we look past appearance and pay attention to what a person carries within.
Mind·Full·Ness® asks what becomes visible when we look past appearance and pay attention to what a person carries within.
The original 112 use one repeated face while embedded objects transform the story from work to work. Across the broader practice, face and head forms may return, shift, enlarge, or take on new material lives.
Mind·Full·Ness® is an evolving sculptural practice centered on recurring face and head forms, transparency, embedded everyday objects, and the hidden dimensions of human experience.
Its foundation is the completed 112-work collection. The practice itself remains open to new faces, heads, materials, scales, installations, and related forms.
How the Work Functions
In the original 112, the repeated face is not conventional likeness portraiture; it is a shared structure. Difference lives in material, symbolism, memory, systems, culture, and lived experience.
Transparency reveals the interior without making it fully knowable. Across Mind·Full·Ness®, that language can continue, transform, or surprise.
Where the Work Lives
The original 112 form the foundational Mind·Full·Ness® collection and Living Vault. Prints and the Codex offer interpretive ways to encounter selected foundational works.
New Mind·Full·Ness® sculptures may emerge beyond the original 112, while independent work may stand outside the practice entirely. Neither changes the completed foundational collection.
This work is not meant to be consumed.
It is meant to be lived with.